My initial post on this blog was at least partially the answer to who is Davit Jamburiani and why does he have a blog. Or at least why does he share one. But having answered why I suppose I should go through the other journalism questions.

Why did I pick a Georgian minor noble in the 12th century? Because it is a path less traveled really. There are many cultures and times that are popular within the SCA. The specific ones have varied over the years but as far as I can tell Georgian has never been a thing. Byzantium certainly and at least some interest in Persian, Arab, and Turkic but not Georgia.

Which means it is also a nice historical puzzle. Of course the SCA is a social group but it is a social activity with lots of individual activity between the social parts. You can research things, make things, and plan things. Some of these are even primarily solo activities. I like the idea of unraveling at least a little bit of a historical puzzle.

Of course that still leaves where and when as decent questions. Georgia itself is a tale of two parts. That is a gross simplification but it is enough to point out one of the big dynamics during the Golden Age. Western Georgia is a coastal region along the Black Sea and the area inland from there. The home of the Golden Fleece, Greek city states, and during the first millennium AD an area in the sphere of influence of the Roman Empire. The story of the creation of a unified Georgian kingdom is in many ways the story of the rise of one branch of the Bagrationi family in shifting alliance and opposition to the Byzantine Empire.

On the other hand Eastern Georgia, Kartli, was considered the homeland of the Georgian people. Unlike the area to the west it had stronger culturally and economically tied to the Persian sphere of influence throughout antiquity. Furthermore, with the Arab conquests starting in the 7th century most or all of eastern Georgia was at least nominally under Muslim rule until driven out by David IV.

I find this dynamic interesting. The initial consolidation of the united Kingdom of Georgia was based on the authority and prestige of western Georgia rulers who leaned heavily on their position as kings (mepe) but also on the titles bestowed on them by the Eastern Roman Empire such as kuropalates and later nobelissimos and kaisar. Their iconography was Byzantine. With the rise of David IV you can see a lessening of the ties to the Romans and the rise of both local Georgian styles and recognition that they are rulers of a multicultural kingdom that includes strong ties to the Persian cultural sphere and many Muslim subjects. There is good reason to feel that the Georgian Golden Age was able to flourish at least partially because of the First Crusade tying up Seljuk attention and allowing David IV to build up the country but it was not a Crusader state defined in opposition to Islam.

Svaneti is a highland region on the southern slopes of the Caucasus mountain range. One of the highest continuously occupied regions in Europe it is an area that is more isolated and poorer than the rest of Georgia but also a region that is sometimes promoted as being perhaps more authentically Georgian.

Initially I was thinking of a persona from roughly the 9th century and Svaneti held some interest because there were known trade routes crossing the Caucasus from Svaneti into the area occupied by the Alans. Unlike the Christian Georgians south of the Caucasus we have significant grave goods from the Alan region including the relatively famous clothing from Moschevaya Balka.

Yet the multicultural nature of the kingdom in the 12th century was ultimately more interesting. Still, back in the 21st century, an SCA persona needs a name. One could quibble that some of the Georgian and Soviet ethnographic research is very nationalistic but there is also great material. It turns out that the names in Svaneti are well documented from church records and legal documents. In Georgian of course but Roland Topchishvili has collected much of it which allowed me to document both the period spelling of David at Davit and many potential surnames.

#SCA #Davit

This is a continuation of my initial post on medieval Baghdadi thin bread but also a digression into the idea of authenticity.

I picked the title of this (and the last) post for the alliteration. It sounds good. In the context of the US 2023 I can assume that most people know what a tortilla should look and feel like. Ruqaq (which I can’t even reasonably type as I do not have the proper accent mark over the a) is not so well known especially as the 10th century Baghdadi version is baked in a dome shaped oven as found all over Asia while the modern Arabic bread is more of a crispy crepe cooked over a hot griddle. Perhaps naan is a better term but it doesn’t alliterate and, from the translation I am working from, the ruqaq sounds like it should be thinner than a naan. Lavash? Dosa except that they are made with completely different flours? For all I know the ruqaq is the ancestor of the tortilla by way of al-Andalus.

So I’ve started out inauthentically. Some might even say that I’m engaged in a clear case of cultural appropriation as I take the idea of an Arabic or Iraqi food and remake verbally into a completely different food. The teacher in me thinks that I am engaged in scaffolding, building new understanding and knowledge by relating it back to already existing knowledge. The experimentalist in me says that no matter what you call it we are just mixing flour, water, salt, leavening, and heat.

The experimentalist is also still interested in the sourdough and borax questions. I need to start saving some sourdough discards to play around with. If I use discards they will have little to no leavening and mostly serve to change the digestibility of the flour and the taste. There are many recipes for such flatbreads with and without leavening. Again, I don’t claim authenticity but it would be a viable product of a medieval Middle Eastern kitchen. Perhaps more research on sourdough in the Middle East is needed! If I use a fresh, active sourdough it will provide some leavening especially as the dough is to be left for a short period of time. Again not authentic but a viable product. In one sense I feel that my playing around with the recipe I am moving beyond museum authenticity. Certainly I have moved from mere copying into evaluating or creating so Bloom would be proud.

One odd tangent that I haven’t investigated is that I have seem references to hard or dry sourdough. Mostly this has been in the context of desem bread based on covering a small lump of dough in a flour. It works by maintaining a culture of wild yeast in the old dough fed by the flour around it with everything going much slower than a traditional sourdough because there is little to no liquid and stirring to allow for more contact of culture and new flour. 2g of dry starter per 100g of new flour sounds like a small amount but the Baghdadi recipe is clearly not made for working with 100g units so it might well be a viable route.

Finally, I have picked up but not tried the potassium carbonate. I knew it was hydrophilic but I underestimated how much. Storage feels like it might be a problem. As mentioned earlier the cookbook refers to baker’s borax but I don’t think the translation means literally borax. Really the entire family of pot ash, pearl ash, soda ash, natron, baking soda, and baking powder needs it’s own post so I’ll keep this shorter and make it part three.

#SCA #cooking

I like to cook. I like to read, research, and compare. So recently I’ve been playing with food in the form of a 10th century recipe for a thin bread as part of recreating a Baghdadi rolled up chicken salad pinwheel.

The recipe is found in the Kitāb al-Ṭabīkh, a 10th century cookbook written in the Abbasid Caliphate. The English translator has made a big deal that the Arabs ate sandwiches and thus we should stop saying that the Earl of Sandwich invented the sandwich. I think that is going a little too far. Many things are invented in multiple places and I certainly never got the idea that John Montagu was being put forth as The First Person to Put Food in Bread but only as the guy who popularized it in a specific social setting and ended up giving us the word for it. But I do think it is a neat connection that over a thousand years ago people had the same idea of cutting up cooked chicken, adding salady things, rolling it up in thin bread, and cutting it so that it looks pretty on a plate.

Chop [cooked chicken] and spread it on ruq§q (thin sheet of bread). Let there be underneath the chicken some skinned walnut, citron pulp (Èumm§' al-utruj), nabnab (cultivated mint), tarragon, baï9aråj (basil), and salt. Roll up the bread [with the filling inside].

No mayo or cream cheese but I think that might be an improvement!

Really, my main interest now is in trying to make the thin bread. The recipe given has the proportions of 100g of flour, 2g salt, 2g of yeast, and 2g of baker’s borax plus enough water to make a dough. Roll thin and bake in a domed oven like a tandor. If you make it and ignore the borax it is a perfectly normal bread dough recipe. So far I haven’t mastered getting the rounds thin enough but there is nothing odd it is simply a matter of playing with hydration. Instead of using a domed oven some more modern flat breads with similar names are formed by spreading the dough thinly by hand on a very hot pan or by using a spatula to spread the dough into a thin layer as you put it on. This means that only one side gets the heat at a time but it is simpler to do.

More interesting to me are questions about the borax and the yeast. First off; what is baker’s borax? I don’t think anyone really knows! Right now I’m thinking that perhaps it is something that might act as leavening. Potassium carbonate (pot ash / pearl ash) is what I think I’ll try first although I suspect that the word borax might be a clue to something that was also used as a flux and that natron would be a better match. The thing is I don’t know where to get natron or soda ash.

The yeast question is also odd to me. Of course this is unlikely to be yeast in a pure sense. Yet by having a specific ingredient identified as yeast it implies that this wasn’t simply a sourdough with a continuing culture but more of an additive. The foam that rises to the top in brewing, barm, can be used in making bread and has yeast in it so perhaps this is a dried barm? For now I am going with sourdough from a starter and mostly skipping the addition of yeast.

I’ll update this and add to it when I have some results.

#cooking #SCA

Davit Jamburiani is that name I am using for an SCA persona. Actually, as I mention in the pinned about post I haven’t registered the name yet but I’ve done the research to support the name as a potential historical name for a man from the Svaneti region of the Kingdom of Georgia in the late 11th / early 12th century. But what is a persona? Is it more than a name?

As far as I can tell the official 2023 answer is it depends on what you want it to be! There is a vocal component of the SCA that wants personas to be nothing more than a name. Come have fun whacking people! Dress in ALL the fancy outfits! Focusing on the persona artificially constrains you and who wants to be constrained in your cosplay. Especially when so many things make it impossible to get away from the reality of being a 21st century human playing a silly game!

There is another group that wants to get into the persona. This can go as far as being in character as is done when visiting Duke Cariadoc’s Enchanted Ground campsites. For brevity I won’t repeat his ideas and thoughts but Cariadoc’s Miscellany has many articles about Persona that spell out the idea of his Dream. Most of his articles are really old now but the though is still valid. Or it can be more of a deep dive embracing the constraints and trying to recreate more aspects of a specific life and time.

I’m more of the living history side of things even if some people object to that term. I am not a Svaneti re-enactor because I am not attempting to re-enact any specific person or event. But I do want to recreate things with a strong focus on what Davit might have experienced. I think of it as focus not constraint. Which leads to thoughts on the issue of authenticity.

One way to look at authenticity is to think of it as different levels. I like to think there is a zeroth level when you are being medievalish – the bare minimum without real concern for whether it is medieval, ren faire, or fantasy. Beyond that you various levels of authenticity that often focuses on the museum level. The recreation of artifacts that have been curated. Which leads to a focus on the wealthy and even them to the public look of the wealthy. I hope to progress beyond that even if it does involve some extrapolation.

To go back to Duke Caridoc again there is a lot to be said for trying to get into the midset of a persona. People before 1600 were not any less intelligent or creative. They solved the issues of living and working within the constraints of their time quite well. Perfect authenticity slavishly following museum articles is a different form of constraint of course but it leads to a very distorted view and, to me, not as interesting view.

Or to put it another way; in the 21st century I find recipes to be good starting points but I almost always put my own twist on them. I expect that a 12 century Georgian would feel the same way and feel just as free to play around with the foods and flavors at their disposal within the constraints provided by cost, seasonal availability, and the limits of a medieval kitchen.

#SCA #Davit #persona

This is a virtual journal of Davit Jamburiani. Nominally a Georgian scholar and courtier from a minor noble family in Svaneti. Actually David Bonar a retired science teacher and general nerd. So in 2023 I will be writing about the 12th century but also about a persona who is unofficially* a member of the Known World of the SCA and thus inhabits a nebulous world out of time where pre-1600 people from everywhere mix freely. Plus, to shake things up a little, I expect to put down some of my more rambling thoughts on tangential topics of making, retirement, and other 21st century concerns. Let the anachronisms begin!

• unofficially since I have no joined and it is unclear whether I will officially join or merely hang out with the SCA. Some of this is a political and cultural issue concerning some of the policies surrounding the SCA as an mundane organization. Some of it is a purely cost benefit analysis.

#SCA #Davit